Ignacio Pinazo Camarlench
Spanish painter , 1849-1916
was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style. Born into a poor family, Pinazo was forced from a young age to assist in supporting the family by practising various trades. He had only attended eight grades when his mother died of the cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father's death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter. His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He visited Rome twice, the first time (1873) thanks to the sale of a painting. From 1876 to 1881 he lived in that city on a grant. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating Joaqu'n Sorolla y Bastida and Francisco Domingo both in subject and style. Related Paintings of Ignacio Pinazo Camarlench :. | Interior de alquerea valenciana | Senora de Alvarez | Retrato del Conde Guaki | Figura femenina sentada | Retrato de Dona Teresa Martenez | Related Artists: Maxim Nikiforovich Vorobiev(1787-1855) was a Russian Romantic landscape painter.
Vorobiev was born into the family of a soldier, who on retirement became a guard in the Academy of Arts in St. Petersburg. There, Maxim was admitted in 1798 where he initially studied architecture but graduated as a landscape painter in 1809.
Momper II, Joos deFlemish Baroque Era Painter, 1564-1635 Thomas Mann Baynes (1794 ?C 1876) was a London born English artist known for his drawings and watercolours of landscapes, buildings and outdoor events. Many of his subjects were engraved and published, generally in London, and these include a notable panorama of the River Thames, which was drawn from nature and engraved on stone. He was the son of James Baynes, a noted watercolour artist.
Baynes also produced views of Liverpool and Ireland, and appears to have made a successful living as a printer prior to his death in 1854. His son Fredrick Thomas Baynes (1824-1874) was also a noted watercolour artist.
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